Y: The Last Man, Volume 10: Whys and Wherefores

[Brian Vaughan]

Product Details

 

• Amazon Sales Rank: #68 in Books
• Published on: 2008-06-18
• Released on: 2008-07-01
• Number of items: 1
• Binding: Paperback
• 168 pages

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Customer Reviews

The end is here
Undoubtedly the best original ongoing series to come out of Vertigo since Garth Ennis’ Preacher, Brian K. Vaughan’s Y: The Last Man comes to a spectacular and bittersweet conclusion in Whys and Wherefores. As Yorick Brown, the last adult human male on the planet, finds his journey to be re-united with his lost love Beth comes to a close, everything begins to come together. Alter makes her move, we learn what Yorick saw during his suicide intervention in Safeword, and everything gets wrapped up in one of the most emotional and heartfelt conclusions that a mainstream comic book series has ever received. Vaughan’s script work reaches new heights in this final volime, and Pia Guerra’s artwork, while seemingly had always been lacking in overall detail, perfectly captures each emotional moment from cover to cover. All in all, if you’ve missed out on Y: The Last Man during it’s initial run, now is the time to check the series out volume by volume. And if you’ve been a loyal follower of the series since the beginning, read it again and again and again.

Fizzles out in the end
Unfortunately, the conclusion to Y the Last Man is a big letdown in more ways than one. In the need to ‘wrap up’ the story, the author took shortcuts in characterization that are glaring when you compare the last story arc to earlier ones. The author left gaping plot holes, and even introduced a possible ‘whole new explanation’ for the worldwide plague just as the storyline is wrapping up. This whole book follows two main threads- the quest to figure out and end the plague and the quest to find Yorick’s love, Beth. Well, both the explanation of the plague and the ‘cure’ of the plague are left in confusion, so there’s no satisfaction in seeing that story reach completion. Then, the conclusion to the ‘Beth quest’ spins off in an unhappily unsatisfying conclusion, with a final scene in the last issue that is laughable in its improbability. Yorick, who spends the whole series trying to face up to things, won’t face up to the person he spent five years trying to find. Thus, neither the plague quest or the Beth quest come to any kind of real or believable conclusion. The end must be worth the journey, and this one was not.

There are some breakdowns in art consistency as well in the last story arc as various characters begin to look so much like one another it is difficult to tell them apart. The blondes all look alike (save for a scar on one) and Yorick’s sister and other brown haired types look the same. You must look for clues in the dialog to tell who is speaking and they are not easy to come by. This was not true in the earlier books in the series. Again, it seems the final storyline was put together in a rush to have ‘an ending’ to things, and sadly the result is a bit of letdown.

If you have journeyed with Yorick through the whole of his adventure, you will no doubt want to read the ‘finale.’ Just be aware that things break down somewhat at the end, and the ‘finale’ will leave you hoping it was all a bad dream and a real conclusion to Yorick’s adventures will be published.

A compelling if bittersweet ending to a great saga
There have been some great long series in comics, but Y: THE LAST MAN is unique in that all ten volumes making up the entire run tells a single story. The various books truly have a beginning, a middle, and an end. Other series may have a background arc that extends throughout the various books comprising their run, but Vaughan’s masterpiece introduces a number of questions in the first volume that are developed in the ensuing nine volumes and answered only in the last. Will the human race survive the loss of all the males? Will Yorick be reunited with his finance? What do the Israelis tracking him have in mind? These and other stories are developed gradually over the course of the entire run.

The tone of the series as a whole tends to action drama laced with pop cultural references and humor. You laugh on one page, only to have something really horrid take place on the next. But none of the shocks of the first nine volumes comes anywhere near the shocks found in the final issues comprising Volume Ten. I won’t go into details, but while all the main stories are completely wrapped up, they won’t please every fan. While most of the news for the human race was positive, things did not turn out all that well for most of our heroes. Indeed, some of the arcs ended in utter tragedy. Though the story as a whole focuses on Yorick’s constant joking about everything, the book’s final events bring even his jokes to a halt. Some things are beyond wit. One event in particular is so shocking (you’ll know it when you see it) and so unforeseen that it completely changes the nature of the entire series.

In a story like Y: THE LAST MAN it is absolutely essential that you end the whole thing well. This volume does precisely that. It cannot, of course, be read on its own. Anyone wanting to read the entire series needs to start with the first volume and move forward. FABLES 10 came out earlier this month. You might, with some difficulty, be able to start reading in that (wonderful) series with that volume, but Y: THE LAST MAN has to be read from beginning to end. Starting with this volume would be like beginning GREAT EXPECTATIONS with Chapter 25.

I want to single one character out for praise. I’ve been engaged in a project lately that involves looking at the major female heroes in various popular media, from TV to graphic novels to movies. The past ten to fifteen years (Buffy seems to be the tipping point) has seen an explosion of great female heroes. But incredibly very, very few of these have been women of color. Max in DARK ANGEL is racially indistinct but seems exotic, but she is close to the exception. Agent 355 in this series is easily one of the most compelling and truly heroic black characters around. The genre — indeed, all genres — need more characters like her. It isn’t just young black females who need to see empowered characters like 355. Just as, I believe, that both men and women have their views of women subtly altered by popular female heroes like Buffy and Xena, so I think all of us have our views of race and gender affected by a character like 355. Sadly there are very few black female characters her equal. Storm in the X-Men is an exception as well as several characters in Octavia Butler’s novels (especially the protagonist in the Earthseed novels). But there shouldn’t be so few examples.

In a way, I’m truly saddened that this series has come to an end. For years we’ve been looking forward to the next issue and looking ahead to the distant future (which is now past) to find out how everything ends. I confess it didn’t end like I had expected or even how I had hoped. But sometimes as readers we get the story we needed instead of wanted. In the end, it was a great read.
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